Tuning in the Loft

Echoes of 1958



Tales from the Pipes



Up in the loft, the pipes are separated from the choir space behind narrowly slatted walls on the east and west. I sit at the two manual pipe organ, pulling stops and holding down the keys one at a time, as instructed.
The keys trigger the air that blows through the pipes, and Dan, his ear trained through decades, adjusts them until the sound is clear, free from any hint of vacillation. I am a musician and have tuned instruments and learned to hear differences in tone and pitch, but this skill is different. I attend church with Dan. He is an organ builder, which fascinates me, and has asked me to help him with a tuning today.
“Bassoon!” Says the voice. With many of the low stops pulled, a deep, booming, throaty thrum bounces through the rafters of the Nave. I turn my head to watch it, and imagine the sound floating down on the heads of the parishioners in a different time…

It’s fall, 1958. The first hymn in the newly dedicated Grace Evangelical Lutheran Church, accompanied by this giant organ in its loft, has just finished. Two stories up, the smooth, arched ceiling rebounds their voices. I can only imagine the way that would have sounded to these faithful parishioners, who had been using this organ, parts of it anyway, since 1890, tucked away in a basement.

For many years before that, they used a small pump organ that had been donated. The pump boy must be enjoying his break. The old hymnals still have some German verses under the English ones, in italic type. The names in the congregation reflect the heritage of its founders: Keiner, Waddell, Eisenburg, Lobban, Killian, and Henkel. Scotch-Irish and German settlers from the 1800’s. I can almost hear their intermingling accents.
Many of these immigrants worked on the railroads, in lumber yards, and in mines. They were hard times. The people heated bricks to keep their feet warm during the long drive to services, toes freezing on the way home. It was worth braving the cold to warm the spirit. What balm and comfort a common faith must have been.

The Ship of Grace
Grace is unique in its design and construction. “Grace’s sanctuary is shaped like a ship, symbolic of Jesus Christ leading our ministry of faith and action into the community and the world.” – Curtis Bowman, 131 Years of Grace. From my position, the sun shines through stained glass “port holes” on the east side, glowing across the pews in purple, green, blue, and red. The hanging conical pendant lights offer focused illumination, as have Grace’s Pastors.

Nothing pulls a community together like worship, and nothing pulls worship together like music. Hymns are such a marvelous mashup of faith, heritage, local tradition, and hope. Perhaps the organist is the most often overlooked contributor in a worship meeting.

Not to mention the organ builder. Dan Smith comes out of the pipes, dusty from head to foot, with a bead of sweat on his glasses. He has to crawl and climb through precarious places to do what he does. He was commissioned to rebuild this organ in 2015 and has tuned and maintained it since. He’s got some fun stories to tell.

“Once, many years ago, I helped work on an organ in the mountains of Kentucky. In 1936, the organ was sent up the mountain on a long-abandoned logging rail line. It was evidently quite precarious as the tracks were in really bad condition. It was then taken from the tracks to the school chapel by wagon.” He went on to tell me, “There was a story about the organist coming in to find a rattlesnake coiled up next to the organ bench. I’ve never seen a snake in an organ. Plenty of bats, though.”
I suddenly appreciate the well-kept loft I’m sitting in, and throw an impulsive glance at the foot of the bench. I picture the organist letting out a scream and running for the Pastor. That story survived 90 years, made it all the way from Kentucky to Virginia, and helped foster a sense of community between cultures. See? Organists.
Listen to what a Barckhoff organ sounds like:




The original organ at Grace Evangelical Lutheran Church was actually the very first pipe organ ever installed in Waynesboro. It was built by Carl Barckhoff, a highly respected organ maker of the era.
To fund this impressive instrument, the congregation actually secured a financial contribution from the famous industrialist and philanthropist Andrew Carnegie!
Barckhoff (1849–1919) was born in Westphalia, Germany, and immigrated to the US in 1865. His factories employed dozens of skilled German immigrant craftsmen—cabinet makers, pipe decorators, and voicers—who brought old-world precision to the Appalachian region and beyond.
What makes Barckhoff organs incredibly special today is their robust "tracker action" (the mechanical, non-electric linkage between the keys and the valves). While his own companies suffered devastating fires and floods over the decades, the organs he built were of such high quality—often using high-percentage tin and lead pipes, and solid oak or walnut—that many, like the one at Grace, are still singing a century later.

Based just down the road in Crimora, Virginia, Daniel K. Smith has been breathing life into local sanctuaries for over four decades. As the President of D. K. Smith Pipe Organ Services, Dan's expertise bridges the gap between old-world craftsmanship and modern acoustic technology.
While he is highly sought after for meticulously rebuilding and maintaining historic tracker-action organs—such as the 19th-century Barckhoff at Grace—he is equally renowned as a pioneer in custom pipe-and-digital hybrid solutions.

He specializes in seamlessly integrating original historic pipes with state-of-the-art digital consoles to preserve a church's acoustic heritage while expanding its musical capabilities.
Dan isn't just a mechanic behind the slatted walls; he is a celebrated musician in his own right. Known for playing dedication concerts on the instruments he installs, Dan approaches the organ with a distinct philosophy: to make the instrument "people-friendly." Whether he is crawling through the dusty rafters to fix a sticking valve or sitting at the manuals playing a hymn-based arrangement, Dan's mission remains the same—to leave the congregation emotionally impacted by the sheer beauty and color of the pipes.
A nice 1884 edition of Luther's hymns with parallel German-English versions and musical scores of some 36 hymns.
Dr. Martin Luther's Deutsche Geistliche Lieder. The Hymns of Martin Luther set to their original Melodies with an English version, ed. Leonard Woolsey Bacon and Nathan H. Allen (London: Hodder and Stoughton, 1884).
Read the Flip Book by clicking here:
The names recorded in the early registries and etched into the memorial windows of Grace Evangelical Lutheran Church are not just random parishioners; they are the founding pillars of Augusta County." Here is a look at a few of the historic families who built and sustained the church:
The Henkel name is essentially Lutheran royalty in the Shenandoah Valley. Alpheus Girard Henkel, a prominent Waynesboro resident, was a vital early member of Grace Church and donated several beautiful stained-glass windows in memory of his wives, Fannie Killian and Etta Coyner.
Furthermore, the broader Henkel family, headed by Ambrose Henkel, operated the famous Henkel Press in nearby New Market, Virginia. It was their printing presses that published the very bilingual (German and English) hymnals used by the early parishioners!
The Killian family roots run deep in Waynesboro's civic and religious history. Philip Killian served as an active civic leader and election conductor in the region during the tumultuous years following the Civil War. His family's legacy within the church was cemented a generation later: on April 7, 1901, Philip's great-grandson, Harold K. Henkle, made history as the first infant baptized in the newly completed sanctuary of Grace Church.
The "Keiner" name you see in early records is often a variation of "Koiner" or "Coyner" (originating from the patriarch Michael Keinadt). The Koiners were the original pioneers of Lutheranism in the region, having founded "Koiner's Church" (the first Lutheran church in Augusta County) just southwest of Waynesboro in the late 1700s. Generations of Coyners carried this legacy forward, helping to establish Grace Evangelical to ensure their children could learn the tenets of their faith in English rather than the traditional German.
While the Scotch-Irish Waddells were prominent across several denominations in the valley, they were instrumental in documenting the area's history. Figures like Joseph A. Waddell authored the definitive historical texts of Augusta County, preserving the very stories of the lumber yards, mines, and freezing wagon rides that defined the era of Grace Church's founding.
